ID 136
Title William Hazlitt, Philosopher (5)
Broadcast 2009-03-06 00:00:00
Network Radio 3
Presenter Jonathan Ree
Producer Mark Whitaker
Precis William Hazlitt is recognised as a founder of English literary criticism and a magnificent exponent of the art of the essay. But he spent the first half of his career grappling with abstract questions in philosophy, and these 15-minute talks evoke and celebrate Hazlitt’s work as a philosopher, and show how it helped shape the celebrated ‘familiar style’ of his later essays. Five: Acquaintance with Poets
Duration 15
Txtime 1899-12-30 23:00:00
Repeat
Rpttime
Description William Hazlitt, Philosopher William Hazlitt is recognised as a founder of English literary criticism and a magnificent exponent of the art of the essay. But he spent the first half of his career grappling with abstract questions in philosophy, and the fact that he had to abandon the rigours of theoretical writing in favour of relaxed literary journalism was always a source of regret to him. The purpose of these five 15-minute talks is to evoke and celebrate Hazlitt’s work as a philosopher, and show how it helped shape the celebrated ‘familiar style’ of his later essays. Implicitly, it will also seek to show that rumours of a fundamental antipathy between philosophy and English literature are greatly exaggerated.

Each talk will present a story of its own, told to a considerable extent (about one fifth) in Hazlitt’s own words.

Five: The end of the ‘mechanical theory’

Wordsworth did not take to Hazlitt, and wrote a couple of poems ridiculing him. Coleridge too was a little frustrated: he wanted Hazlitt to share his admiration not only for Hartley and Priestley but also for the newest thing in philosophy – ‘the most unintelligible Emanuel Kant.’ But Hazlitt was not ready to comply: he admired Coleridge but did not trust him intellectually, and when he got back to Wem he started working again on his own problems in his own way. On a walk in Nether Stowey he had challenged Coleridge to a philosophical argument about a footprint in the sand, and had been disappointed by his obtuseness. He continued work on the problem for six years, developing a soaring argument about how personal identity is not a matter of given fact, but of active imagination. He had to conclude that all the ‘modern philosophers’ were wrong, including his own father; and that truth was a more elusive prey than they had ever imagined.

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